SemanticAudio
Independent Audio-LLM Evaluation

Structure-aware evaluation

Beyond global CLAP/FD, we evaluate event alignment, temporal ordering, and editing preservation with an independent audio-understanding judge (a different model family from the PE encoder used inside our model, so the evaluation is not circular). Each clip is judged from audio alone, 3 runs averaged.

Why this matters. Global similarity metrics cannot tell “A followed by B” from “B followed by A.” The judge first transcribes the events it hears with timestamps, then scores order and preservation — a structure-sensitive check of the paper's core claim.

How the judge works

A transparent, reproducible protocol.

1 · Temporal ordering & event alignment

30 prompts per model (15 AudioCaps + 15 TTABench). Temporal-Order Match and Temporal-Order Accuracy (fraction of clips with fully correct order) measure sequencing; Overall Alignment is a 1–5 holistic score.

Temporal-Order Match (0–1, higher = better)

Base Model
0.64
Resonate
0.74
TangoFlux
0.76
SemanticAudio
0.86

Temporal-Order Accuracy (0–1, higher = better)

Base Model
0.23
Resonate
0.37
TangoFlux
0.40
SemanticAudio
0.50

Overall Alignment (1–5, higher = better)

Base Model
3.41
Resonate
3.44
TangoFlux
4.04
SemanticAudio
4.09

SemanticAudio attains the best temporal ordering and alignment of all systems, and improves temporal-order match over the parameter-matched Base Model from 0.64 to 0.86. Sanity check: ground-truth audio scores highest under the same judge (order match 0.97, alignment 4.83), confirming the metric is meaningful.

Full numbers

ModelTemporal-Order MatchTemporal-Order Acc.Event RecallEvent PrecisionAlignment (1–5)
SemanticAudio0.860.500.830.954.09
Ground truth (ref.)0.970.630.980.994.83
TangoFlux0.760.400.870.974.04
Resonate0.740.370.720.913.44
Base Model0.640.230.700.883.41

TangoFlux renders individual events marginally better (recall) but orders them less reliably — the acoustic-vs-semantic distinction our method targets. Ground truth is scored on a subset containing reference audio by the same judge, and is shown only as a sanity-check reference (not on the same prompt set as the four generative models).

2 · Editing: success vs. preservation

Editing must change the intended attribute without disturbing the rest. The judge scores our edits on independent axes (1–5), over 19 editing pairs.

Edit success
4.37
Non-target preserv.
4.70
Temporal preserv.
4.84
Naturalness
4.40

Our edits achieve strong success (4.37/5) while keeping non-target content (4.70/5) and temporal structure (4.84/5) largely intact — precise, not destructive. Cross-method edit-success (ΔCLAP) is reported in the paper (Ours +0.094 > TangoFlux +0.081 > Resonate +0.065 > Base +0.054).

3 · Raw results

All per-clip judgments and aggregates are released for inspection.